Fuasi Abdul-Khaliq - t.sax (USA)
Geoffroy De Masure - trb. (France)
Reggie Moore - p. (USA)
Charles Sammons - b. (USA)
Jesus Vega - dr. (USA)
The Crusaders Project is a collective ensemble of American musicians, all living in Berlin, Germany. Comprised of band members Fuasi Abdul-Khaliq (ten sax), Kelvin Sholar (Piano), Geoffroy De Masure (trombone), Charles Sammons (Bass) and Jesus Vega (Drums), the ensemble was formed with the intention of preserving and honoring the music of the legendary group from the 60's and 70's, The Jazz Crusaders.
Fuasi Abdul-Khaliq has been performing professionally since 1972. After graduating from college, he did his post-graduate studies with the late great African-American pianist, Horace Tapscott and his non-profit institution named UGMAA (Union of God's Musicians and Artist Ascension) in Los Angeles, California. This led to a lifetime relationship with Tapscott's Pan-African People's Arkestra (PAPA), during which time he served as assistant conductor, arranger, composer, copyist to accompany his duties on saxophone, clarinet and flute. In 1991, Fuasi came to Berlin, where he became a name in the city’s jazz scene. For the last 23 years, Fuasi has toured Europe, Asia, Africa and Central America, he has led his own ensembles such as Fuasi & Ensemble, The Ebony Big Band Experience, The Horace Tapscott Memorial Ensemble and the Afro Cubano Latin Jazz Connection.
Reggie Moore comes from distinctive jazz lineage; he grew up in NYC as the son of Billy Moore, musician and arranger for the Jimmy Lunceford Orchestra. Leading his own trio, Reggie has toured Japan, the United States and Europe, and recorded two albums for Mainstream. He arranged for the Thad Jones/Mel Lewis Big Band and has worked with such renowned jazz greats as Johnny Hartman, Betty Carter, Anita O’Day, Harry “Sweets” Edison, Gary Bartz, Woody Shaw, Benny Golson, Scott Hamilton, Houston Person and Kenny Burrell - to name but a few. Together with vocalist Joe Lee Wilson, Reggie performed in the Middle East as Jazz Ambassador for the U.S. State Department.
Since 1985 Reggie Moore has been living in Berlin, Germany, with his wife, jazz singer Cornelia Moore. His unique art, which he himself calls “Communicable Music” and his genuine, dedicated teaching at the Jazz Institute Berlin/Hanns Eisler Hochschule für Musik have been impacting the German jazz scene for the last 30 years. Reggie’s future plans include composing film music and publishing his educational concepts.
Charles Sammons is an American instrumentalist, composer, and instructor world renowned for his innovative techniques and approach. Equally at home behind the double bass, electric bass, and cello, Sammons pushes the outer boundaries of the idiom and the instruments while retaining firm footing in tradition. A consummate collaborator, Sammons has been featured on dozens of recordings from jazz through electronica, rock through pop. As a performer and sideman, Sammons has played and toured with a host of the worlds most excellent artists including members Parliament Funkadelic and touring in support of the Indigo Girls.
Jesus Vega is an American Drummer/Educator/Composer currently residing in Berlin, Germany. Born in King City, California, he was first introduced to Jazz by the Monterey Jazz Festival's Education Program. He holds a Bachelor's and Master's Degree in Music from Sacramento State University and University of Nevada, Reno. In his short career Mr. Vega has had the privilege to study/perform with: Peter Epstein, David Ake, Vince Lateano, Joe Lovano, Ben Wendle, Ingrid Jensen, Kenny Washington, Greg Hutchinson, Geoffrey Keezer and many more.
Beginn 21:15 Uhr( Einlass 20:00 Uhr)
Eintritt frei – Beitrag erwünscht
ENTRANCE FEES
One of the reasons that makes the zig zag jazz club so unique is that it is the first and only jazz club in the world that manages to finance world class events through a crowd funding concept. How do we do it? Its quite simple… during the break of the concert we make an announcement regarding the collection for the evening. For most concerts (excluding the jam session) we inform our customers that a fee of around 15€ per person will allow us to fairly compensate the musicians. Some people give more and some give less… and that´s ok… we ´ve already successfully promoted hundreds of concerts like this!!!
EINTRITT
Einer der Gründe, die den Zig Zag Jazzclub so einzigartig machen, ist, dass er der erste und einzige Jazzclub der Welt ist, dem es gelingt nur durch freiwilligem Eintritt/Crowdfunding Events von Weltklasse zu finanzieren. Und wie machen wir das? Ganz einfach. Während der Konzertpause geben wir bekannt, dass wir Geld einsammeln werden. Bei den meisten Konzerten (außer Jam Sessions) informieren wir unsere Kunden, dass ein Beitrag von ungefähr 15 Euro es uns erlaubt die Musiker gerecht zu bezahlen. Manche geben dabei mehr und andere weniger... und das ist auch in Ordnung. Wir haben auf diese Weise schon Hunderte Konzerte organisiert.