H00002088.jpg
mnj.jpg

Wanja Slavin - sax
Florian Menzel - tr.
Uri Gincel - p./keys
Paul Kleber - b. /e-. b.
Tobias Backhaus - dr.

 Herbie Hancock is an American pianist, keyboardist, bandleader, composer and actor. Starting his career with Donald Byrd, he shortly thereafter joined the Miles Davis Quintet where Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles.
On this night, the band will dig into both worlds of Herbie, starting from his early jazz compositions, up to the 70's Funk era and his time with the Miles Davies Quintet.

Wanja Slavin started with clarinet and piano at the age of six. His first teachers were his father and Hildegard Niemann, later Nicolas Simion (Saxophon and Composition), Lee Konitz (Saxophon), Rolf Weber (Clarinet) and Kazue Suzuki (Piano).
At the age of 15 Slavin started at the Richard- Strauss Konservatorium studying Clarinet and Saxophon by Leszek Zadlo. Beside he’s studies at the Conservatory he also took lessons in composition by Vadim Werbitzky.
Wanja Slavin has been invited to festivals such as Münchner Klaviersommer and Moers Festival and worked with musician Joachim Kühn, Kenny Wheeler, Mederic Collignon, John Schröder, Rudi Mahall, Alexander von Schlippenbach, Tobias Delius, Marty Cook, Geoff Goodman,Paulo Cardoso, Wilfried Hiller, Christian Lilinger to name a few.

Despite his young age trumpeter and composer Florian Menzel, born in Arnsberg in the Sauerland region in Germany in 1988, has already reached remarkable experience and success in the world of music. In 2007 he was awarded the „SkodaJazzAward“ by the German Jazz Federation for his outstanding instrumental skills and 2 years later won the first prize at the „Yamaha Trumpet Contest 2009“. Further during his studies at the Jazz Institute Berlin (JIB) he was awarded the „Savoy Award of Excellence 2011“ for his extraordinary musical and social contribution.
As a band leader and sideman he has been working with among others Peter Weniger, Mark Wyand, Rich Perry, Winard Harper, Greg Cohen, Torsten Goods, Till Broenner, Gerard Presencer and Bill Forman.

Born in Tel-Aviv, jazz pianist Uri Gincel came to Berlin in 2009 and quickly became one of the most in demand piano players on the scene, Uri toured the world with many projects, including "Uri Gincel Trio” and “Bonaparte”. 
in the last couple of years Uri also started working with electronic music, and has recorded and preformed with Producer Bruno Pronsato and the electronic duo “Tyoma".

Paul Kleber was born in Berlin/Germany and started playing cello and drums as a young kid, before he chose his main instrument, the double bass. He studied classical double bass at the Hochschule für Musik „Hanns Eisler“ Berlin and jazz, too at the Universität der Künste Berlin. 
He played and recorded with Jazzanova, Sebastian Studnitzky, British band Fink, Micatone, Nylon, JazzIndeed and Lisa Bassenge.As a sideman he accompanied many artists i.e. Dee Dee Bridgewater, Mark Murpy, Emiliana Torrini, Nina Hagen, Nils Landgren, David Friedman and Nightmares On Wax. 

Tobias Backhaus was born in Darmstadt, Germany, on January 8 1984. He took up the drums at the age of 5 and has subsequently been studying under the guideance of jazz masters such as Keith Copeland, Ari Hoenig, Jim Black, John Hollenbeck and Jeff Ballard. He holds a Bachelor’s degree in jazz performance from the Jazz-Institute Berlin.
His individual approach and stylistic diversity – from traditional jazz to free improvisation, modern classical music and beyond –  as well as his ability to effortlessly move between those different worlds have made him one of the most in-demand young drummers on the German jazz scene.

Beginn 21:15 Uhr( Einlass 20:00 Uhr) 
Eintritt frei – Beitrag erwünscht

Sitzplatzreservierung


ENTRANCE FEES
One of the reasons that makes the zig zag jazz club so unique is that it is the first and only jazz club in the world that manages to finance world class events through a crowd funding concept. How do we do it? Its quite simple… during the break of the concert we make an announcement regarding the collection for the evening. For most concerts (excluding the jam session) we inform our customers that a fee of around 15€ per person will allow us to fairly compensate the musicians. Some people give more and some give less… and that´s ok… we ´ve already successfully promoted hundreds of concerts like this!!!

EINTRITT
Einer der Gründe, die den Zig Zag Jazzclub so einzigartig machen, ist, dass er der erste und einzige Jazzclub der Welt ist, dem es gelingt nur durch freiwilligem Eintritt/Crowdfunding Events von Weltklasse zu finanzieren. Und wie machen wir das? Ganz einfach. Während der Konzertpause geben wir bekannt, dass wir Geld einsammeln werden. Bei den meisten Konzerten (außer Jam Sessions) informieren wir unsere Kunden, dass ein Beitrag von ungefähr 15 Euro es uns erlaubt die Musiker gerecht zu bezahlen. Manche geben dabei mehr und andere weniger... und das ist auch in Ordnung. Wir haben auf diese Weise schon Hunderte Konzerte organisiert.