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Igor Osypov - guitar (UA)
Uri Gincel - piano (ISR)
Josh Ginsburg - bass (USA)
Jesus Vega - drums (USA)

Universally acknowledged as one of the greatest guitarists in the history of jazz, Wes Montgomery virtually defined modern jazz guitar during the 1950s and ’60s. His unique idiomatic conception to the instrument and the power of his soloing influenced generations of players who followed him; guitar icons such as George Benson, Pat Martino, Larry Coryell, John Scofield, Pat Metheny, Lee Ritenour and Russell Malone.
Montgomery was self-taught. He devised unconventional techniques that involved, for example, striking the strings exclusively with his right thumb instead of a pick. This unorthodox fingers-on-strings approach allowed him to achieve a warm, round sound on the instrument that was instantly recognizable while his delivery was imbued with deep soul and an irrepressible swing feel that set him apart from most other players of his day. At the peak of his popularity, Montgomery died of a heart attack on June 15, 1968, while at home in Indianapolis.

Igor Osypov
Igor Osypov was born in Ukraine in 1988. He started playing guitar at the age of 10 and as a child was really into rock music, but at some point turned his way to jazz, and this passion still leads in his musical world. He was active on both Ukrainian and Russian jazz scenes, taking part in major jazz events there and making concert tours through Ukraine and Russia. 
Igor's original compositions not only draw inspiration from the Jazz idiom, but other genres such as Classical and Rock.Igor moved to Germany in 2012, to dive into Berlin vibrant jazz scene. He has attended prestigious Jazz Institute Berlin where he was studying with a renowned jazz guitarist Kurt Rosenwinkel. Among his other teachers were John Hollenbeck, Greg Cohen, Kalle Kalima, Gerard Presencer, Geoffroy De Masure, Tino Derado, Guilherme Castro and Javier Reyes. During his studying Igor has also been awarded with Deutschlandstipendium and JIB-Jazz-Preis der Karl Hofer Gesellschaft 2015 (Bondarev/Osypov Quintet). Igor's been playing concerts and taking part at festivals all over Europe both with his own band and as a sideman. He is not limited within the genres, but plays mostly jazz - although, all kinds of it. 

" A secret weapon in this band is Igor Osypov from Ukraine. He reiterates Richardson’s cries in guitar notes like knife slashes" (Jazztimes.com)

"Osypov is a guitarist with a fresh, complete concept. Sometimes he reminds you of Bill Frisell when his glistening notes fall like intermittent raindrops" (allaboutjazz.com)

"There's a lot of blood and guts evident in Osypov's playing and in his tunes. Dark undercurrents and traces of Osypov's formative rock energy and punk anarchy turn up on "I" in the oddest places, which only add to its overall charm" (allaboutjazz.com)

Uri Gincel 
is one of the most in demand and respected Jazz pianists in Berlin. Uri´s style can be described as heavily rooted in tradition but with sensibility and understanding of bringing jazz into the modern age. His playing is dynamic, lyrical and above full of energy and power! Born in Tel-Aviv, Gincel came to Berlin in 2009 and quickly became an influential part of the Jazz scene, Uri toured the world with many projects, including "Uri Gincel Trio” and “Bonaparte” and studied under some major musicians as Arnie Lawrence and Walter Blending Jr.

Josh Ginsburg
Bassist and bandleader Josh Ginsburg is a regular fixture on the world's concert stages and jazz clubs. His music has been described as “vigorously fresh” (Irish Times) and “reveal(ing) itself in gradually unfolding layers” (JazzTimes); his most recent album as a leader, "Zembla Variations”, was chosen as an Album of the Year by the New York City Jazz Record. Josh’s bass playing, Financial Times (London) writes, is “a rock of counterpoint, funk and swing” 

In the past few years, Josh has been touring with bands led by Kurt Rosenwinkel, Greg Osby, Jeremy Pelt, George Colligan, Logan Richardson, Aruán Ortiz and Helen Sung (among others). As a first call New York musician he performed with countless influential players such as Tom Harrell, Mulgrew Miller, Mark Turner, Robert Glasper, Jeff "Tain" Watts, Gregory Hutchinson, Ambrose Akinmusire, and Aaron Parks.


Jesus Vega
is an American Drummer/Educator/Composer currently residing in Berlin, Germany. Born in King City, California, he was first introduced to Jazz by the Monterey Jazz Festival's Education Program. He holds a Bachelor's and Master's Degree in Music from Sacramento State University and University of Nevada, Reno. In his short career Mr. Vega has had the privilege to study/perform with: Peter Epstein, David Ake, Vince Lateano, Joe Lovano, Ben Wendle, Ingrid Jensen, Kenny Washington, Greg Hutchinson, Geoffrey Keezer and many more.

www.igorosypov.com

Beginn 21:15 Uhr( Einlass 20:00 Uhr) 
Eintritt frei – Beitrag erwünscht

Sitzplatzreservierung


ENTRANCE FEES
One of the reasons that makes the zig zag jazz club so unique is that it is the first and only jazz club in the world that manages to finance world class events through a crowd funding concept. How do we do it? Its quite simple… during the break of the concert we make an announcement regarding the collection for the evening. For most concerts (excluding the jam session) we inform our customers that a fee of around 15€ per person will allow us to fairly compensate the musicians. Some people give more and some give less… and that´s ok… we ´ve already successfully promoted hundreds of concerts like this!!!

EINTRITT
Einer der Gründe, die den Zig Zag Jazzclub so einzigartig machen, ist, dass er der erste und einzige Jazzclub der Welt ist, dem es gelingt nur durch freiwilligem Eintritt/Crowdfunding Events von Weltklasse zu finanzieren. Und wie machen wir das? Ganz einfach. Während der Konzertpause geben wir bekannt, dass wir Geld einsammeln werden. Bei den meisten Konzerten (außer Jam Sessions) informieren wir unsere Kunden, dass ein Beitrag von ungefähr 15 Euro es uns erlaubt die Musiker gerecht zu bezahlen. Manche geben dabei mehr und andere weniger... und das ist auch in Ordnung. Wir haben auf diese Weise schon Hunderte Konzerte organisiert.