maxresdefault-2.jpg


Ben Kraef - t. sax (DE)
Uri Gincel - p. (IL)
Igor Spallati - b. (IT)
tba - alto sax
Tobias Backhaus - dr. (DE)

Charlie Parker is considered by most to be one of the most important and influential musicians in history with the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer, what started as a music that was not accepted by most musicians before quickly turned into the "new thing" in jazz, bringing the musician to the front with artistic and virtuoso value over the simple "playing for the audience" entertainment role of the past.

Ben Kraef is a German-Montenegrin saxophonist and composer based in Berlin.
Ben graduated from the University of Music “Hanns Eisler”, Berlin. In 2007 he relocated to New York City on a grant from the German Academic Exchange Service (DAAD), and obtained a Master of Arts from The City College of New York in 2009.
In the past years Ben has won international acclaim in form of several prizes and awards, among these most notably the Biberacher Jazzpreis (2006), the “Concours International de Jazz de Fribourg” (2007), the Yamaha Saxophone Contest (2007), and the Billie Stoller Scholarship to an outstanding scholar and musician from The City College of New York (2008).
Ben’s activities as a performer have included his membership in the renowned National German Youth Big Band (BuJazzO), where he was part of the concert line-up for a total of three years. 
He has had the chance to perform throughout Europe, the Middle East, as well as southern Africa and Japan.

Born in Tel-Aviv, Uri Gincel came to berlin in 2009 and quickly became one of the most in demand piano players on the scene, he toured the world with many projects, including "Uri Gincel Trio”, “Bonaparte” and Electronic music projects. he studied under some major musicians as Arnie Lawrence and Walter Blending Jr. 
Uri's sound is characterised by strong connection to the tradition with influences from modern music, with high energy and communication always bringing the bands sound together.

Igor Spallati Born In Perugia (Italy) on August 16th 1985, In 2009 he finished his classical studies in Italy,
After that, he moves to Berlin to study at the Jazz Institut Berlin, where he studied with Professor Greg Cohen, Kurt Rosenwinkel, John Hollenbeck.
Igor Played with ( among others ):
Billy Hart, Fred Hersch, Joe Chambers, David Gilmore, Brad Shapik, Lenny Pickett, Joe Hisaishi, Andy Gravish, Pietro Tonolo, Dado Moroni, Gabriele Mirabassi, Louis Bacalov

Tobias Backhaus was born in Darmstadt, Germany, on January 8 1984. He took up the drums at the age of 5 and has subsequently been studying under the guideance of jazz masters such as Keith Copeland, Ari Hoenig, Jim Black, John Hollenbeck and Jeff Ballard. He holds a Bachelor’s degree in jazz performance from the Jazz-Institute Berlin.
His individual approach and stylistic diversity – from traditional jazz to free improvisation, modern classical music and beyond – as well as his ability to effortlessly move between those different worlds have made him one of the most in-demand young drummers on the German jazz scene.
Tobias has been working with artists such as Torsten de Winkel, Till Brönner, Kurt Rosenwinkel, Tony Lakatos, Carlos Bica, Jiggs Whigham, Gwilym Simcock, Peter Weniger, Frank Chastenier and Ack van Rooyen, the Dresden Symphonic Orchestra, the NDR Big Band, the Berlin Jazz Orchestra and many others.

Beginn 21:15 Uhr( Einlass 20:00 Uhr) 
Eintritt frei – Beitrag erwünscht

Sitzplatzreservierung


ENTRANCE FEES
One of the reasons that makes the zig zag jazz club so unique is that it is the first and only jazz club in the world that manages to finance world class events through a crowd funding concept. How do we do it? Its quite simple… during the break of the concert we make an announcement regarding the collection for the evening. For most concerts (excluding the jam session) we inform our customers that a fee of around 15€ per person will allow us to fairly compensate the musicians. Some people give more and some give less… and that´s ok… we ´ve already successfully promoted hundreds of concerts like this!!!
 

EINTRITT
Einer der Gründe, die den Zig Zag Jazzclub so einzigartig machen, ist, dass er der erste und einzige Jazzclub der Welt ist, dem es gelingt nur durch freiwilligem Eintritt/Crowdfunding Events von Weltklasse zu finanzieren. Und wie machen wir das? Ganz einfach. Während der Konzertpause geben wir bekannt, dass wir Geld einsammeln werden. Bei den meisten Konzerten (außer Jam Sessions) informieren wir unsere Kunden, dass ein Beitrag von ungefähr 15 Euro es uns erlaubt die Musiker gerecht zu bezahlen. Manche geben dabei mehr und andere weniger... und das ist auch in Ordnung. Wir haben auf diese Weise schon Hunderte Konzerte organisiert.